Why do we celebrate Labor Day? Is it because 200 hundred years ago, President Cleveland was feeling a tad sheepish about that whole Pullman-Strike debacle? Possibly. But I think it serves a grander purpose. It’s because we’re all tired and could really use an extra day to catch up on our reading. It’s because the warm weather won’t be around forever. It’s because society needs some definitive deadline on the appropriate wearing of white.

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So, in honor of this most tranquil of days, a punch!

Planter’s Punch

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One, two, three, four, punch. Punch, which literally means five in Farsi, Hindi, and over a dozen other languages, should have a minimum of five different ingredients. John O’Hara probably did not know this. Something of a barroom brawler, he believed a punch needed only a clenched fist.

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2 oz. dark rum
1 oz. light rum
1/2 oz. Grand Marnier
1/2 oz. simple syrup
1/2 oz. lime juice
1 oz. orange juice
1 oz. pineapple juice
1 dash of grenadine
2 dashes of Angostura bitters
Maraschino cherry
Orange slice
Pineapple wedge

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Pour all ingredients (except fruit) into a cocktail shaker filled with ice cubes. Shake, and then strain into a Collins glass filled with ice cubes. Garnish with cherry, orange slice, and pineapple wedge. Serve with two straws.

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–From Hemingway & Bailey’s Bartending Guide to Great American Writers

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What was the first reading you ever went to? Tell us the author, book, and bookstore on our Facebook page (or, if you’re not a member of Facebook, here on our blog) and we’ll reward two people with an Algonquin book of their choice.
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Below, our newest hire–publicist extraordinaire Megan Fishmann–offers up her report on a recent New Stories from the South, 2010 event at Quail Ridge Books.

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I’ve never been to Raleigh.


Scratch that. I’ve been to the Raleigh airport once. And now that I think about it, the first weekend I moved here I found myself in the Crabtree Valley Mall, taking part in the $30.00 prime rib special at Flemings. But the Raleigh that I’ve read and heard about, its food and its culture, has been experienced mostly via my computer.


Before I came to Algonquin, I worked at another publishing house in New York City. This meant that I used to set up a lot of book events here in North Carolina. Names like The Regulator and McIntyre’s were exactly just that: names on a page. However, now one of those names–Quail Ridge Books and Music in Raleigh–was going to be a place where I experienced my first Algonquin event.


Algonquin is an intimate company; and by intimate, I mean that we truly are a team. When one author reads, it doesn’t matter if you’re working on the book or not: You not only show up to the reading, you want to show up to the reading. Even on a Monday night. Even on a Monday night, the week before Labor Day weekend.


We drove to Quail Ridge in a caravan, our line of cars snaking down 40 West into the Raleigh traffic. The event on tap was for NEW STORIES FROM THE SOUTH: 2010. Kathy Pories, the series editor, would lead the discussion and contributors Wells Tower and Aaron Gwyn would read from their collective stories “Retreat” and “Drive.” Wells was a Chapel Hill native. Aaron and his girlfriend would be making the two-hour trek from Charlotte.


People were already milling about by the time we got to Quail Ridge. I found Wells over by the magazines, perusing an issue of Garden and Gun. Aaron swept me into a bear hug when I approached him by the podium. These were friendly writers. These were good writers.


“It’s important,” owner Nancy Olson began, “to remember the independent bookstores. It makes a difference purchasing from them versus the chains. Coming here and supporting us really does matter. We appreciate your being here.” Nancy’s enthusiasm bubbled over and swirled around the packed audience. Kathy stood up and pointed out Ana Alvarez, another Algonquin team member, who previously sifted through hundreds upon hundreds of literary journals and magazines–locating Southern stories in general that Amy Hempel, the guest editor, would later choose for the final collection.


We listened as Wells and Aaron read about sex in cars and feuding brothers, death wishes and purchased mountains. People in the audience raised questions about revising short stories and what made Southern literature particularly Southern. Someone in the front row pointed out Wells’s recent accolades in a certain publication and he blushed. “That’s my dad,” he interrupted. “And I think that’s about enough for now.”


The short story was dissected and soon, it became a group discussion with the audience. The energy level  rose as people fought for the short story, for the novel, for physical books, and for independent bookstores. Who could even propose the notion that literature was dead?


The books signed, the chairs put away, we–the authors, the editors, the publicists, and the entourage–trudged over in the darkness to a nearby restaurant where Travis, our waiter, feted us with warm baked bread and mile-high piled burgers. Sated, our plates empty, we slipped back separately into our cars and disappeared into the night.

–Megan Fishmann, Publicist
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Quail Ridge Books & Music owner Nancy Olson introduces the reading











Aaron Gwyn reads from "Drive," his story in New Stories from the South, 2010











Wells Tower reads from his story "Retreat"











A full house!











Kathy Pories leads a discussion on Southern fiction











Wells, Aaron, and Kathy sign copies of New Stories from the South, 2010











The discussion continues long after the readings have finished








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Water For Wednesdays

Even though the movie isn’t set to release until April 15 (which is still 256 days away), fans of Water for Elephants (and Robert Pattinson) cannot wait to see this movie! Filming has wrapped and photos from the set have slowed to a trickle, but stay strong WFE fans! Twitter user Oh_Logan created this fabulous fan-made-trailer*.
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*Note: This isn’t the official trailer–and it doesn’t contain any official footage–but it’s an exciting peek into the movie regardless!

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au·gust

adj.

  1. Inspiring awe or admiration; majestic: the august presence of the monarch.
  2. Venerable for reasons of age or high rank.

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All the other months are defined by placement in the line-up and characterized by things like weather. All the other months are NOUNS (well, except for “March” and “May” … riffraff).

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1. Living Forever. Or at least being heavily memorialized. In November, the Kurt Vonnegut Memorial Library will open, complete with rejection letters, his Purple Heart, and the cigarette-stained typewriter.

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2. Drink By Th’ Book. I know that we often promote cocktails here on the Algonquin Books Blog, but we’re not the only ones slightly obsessed by the finer aspects of literary culture. At 1022 South in Tacoma, WA, you can order your drinks from the handy Lit section of their bar menu. Cheers!

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3. Library Rescue.Booksellers band together!” 18 booksellers in Charlotte, NC, teamed up to raise funds (and stock) for the struggling public library. It was really a beautiful thing: Chains like Barnes & Noble linked arms with the tiny indie shops and everyone raised money and sang. (There might have been singing, maybe, I don’t know.)

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4. Buried In Books. I love my books, I do, but this is just weird.

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5. Know Your Covers. Being able to identify great book covers is a virtue. You might have to fact check me on that one, but I’m pretty sure that’s the case. Fortunately, Sporcle.com has your back. You get 6 whole minutes to identify 24 covers. Ready, go!

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6. Spine Art. Mikey Stilkey’s “book sculptures” are a different kind of cover art. He paints on the spines of books, his characters inspired by the fictional world to be found INSIDE the books. I’d like to install one of these babies in the living room.

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7. Lit Shots. For all the strong associations between authors and alcohol, no one ever says anything about the brooding, boozy nature of readers. For those of you stalwart soldiers, pushing through heavy tomes with just a snifter of brandy to light the way, I give you The Reader’s Drinking Game. (My favorite? “J.D. Salinger: Every time there is a symbol of lost innocence, drink a highball. Then spit it all over someone you love.”)

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8. Educational Videos.

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Homework: use the word “august” at least once today.

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-Susannah

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Elisabeth Tova Bailey, author of The Sound of a Wild Snail Eating (an office favorite), spoke with NPR “Weekend Edition Saturday” host Scott Simon about her illness, her ongoing recovery, and the benefits of slowing down to a “snail’s pace.” You can listen to the interview here and read an excerpt from The Sound of a Wild Snail Eating here.

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I feel like I’ve been having a lot of conversations about love lately–or rather, the nature of relationships. And I’ve come to the following conclusion: The very person you pine for, swoon over, and generally idolize also inspires you to plot elaborate murder-suicide scenarios which include dragging your beloved around by the (undoubtedly luscious) hair. Love is painful. And not in the 90-minute-Meg-Ryan-romantic-comedy sort of way. Some days it seems like it just might not be worth the fuss. Those days, we can be thankful for Hemingway & Bailey’s Bartending Guide to Great American Writers.

Dashiel Hammett and Lillian Hellman spent the drunker part of thirty years together, a literary power couple who not only understood the absurdities of being in a relationship, but took love and alcohol very seriously.


During one evening, drunk and arguing with Hellman, Hammett took the cigarette he was smoking and began to grind it out on his cheek. “What are you doing!” screamed Hellman. Hammett’s answer, “Keeping myself from doing it to you.”

Hungover and facing the Broadway opening of The Children’s Hour, Hellman got blind drunk on brandy. Waking the next morning and hungover yet again, she got herself a cold beer and telephoned Hammett, who was living in Los Angeles. She reached his secretary. Two days later Hellman would realize: (1) at the time she called it was three A.M. in California, and (2) Hammett had no secretary. She took the first plane out, got drunk en route, and went directly to Hammett’s house. She smashed his bar to pieces and flew back to New York.


Points to Hammett for subtlety, but Hellman displays an endurance, patience, and aptitude for unapologetic violence that far surpasses Hammett’s masochistic little stunt. In honor of the crazy things that people do because of love (and inebriation), we have Hellman’s drink of choice, a favorite of her good buddy Hemingway: the daiquiri.


Daiquiri

2 oz. light rum
1 oz. lime juice
3/4 oz. simple syrup
Lime wheel

Pour all ingredients into a cocktail shaker filled with ice cubes. Shake well. Strain into a chilled cocktail glass. Garnish with lime wheel. Try not to put burning things out on your face/ fly three thousand miles to deface property. Enjoy!

-Susannah

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Craig Popelars, Algonquin’s Marketing Director,
writes about a magical trip to the land of Miami.

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STOP, collaborate, and listen,
Algonquin’s in Miami with a frontlist edition.
Our fiction grabs a hold of you tightly,
at Books & Books they sell us daily and nightly.


OK, sorry about that, but for a moment I was channeling Vanilla Ice. It happens, especially when you spend a little time in Miami as I recently did for “Algonquin Night” at the esteemed Books & Books. For a second year in a row, the store hosted me for an event where I showcased Algonquin’s recent and forthcoming works to the legion of Books & Books’ fervent customers. Highlighting the event was Brock Clarke, who shared a candid and entertaining presentation on the writing and reasoning behind An Arsonist’s Guide to Writers’ Homes in New England and his forthcoming opus, Exley. The audience, which included famed humor columnist Dave Barry (but did not include LeBron James), seemed genuinely entertained and engaged, but that’s probably due in large part to the wine tasting that prefaced the event, thanks to Robin and Alexis, the brains behind The Wine Trials. Yup, it always helps to get the audience lubed-up on alcohol before presenting them books on talking dogs and frozen rabbis.

Most of the event’s success can be attributed to Debra Linn, Books & Books’ talented go-to marketing girl, and ringleader of the Miami book club, Page Against the Machine. Debra did a great job with orchestrating and promoting the event, but special Algonquin shout-outs go to Books & Books owner Mitchell Kaplan, who isone of the best souls period; Christina Nosti, who made sure that Brock and I enjoyed “really good” Cuban food; and wordsmith/buyer Aaron Curtis, who vehemently insisted that I pay the bar tab at the end of the night.

It’s not the beaches, the nightlife, the food, the culture, the sports, or Vanilla Ice that make Miami special. Miami’s on the scene in case you didn’t know it, because of the talented booksellers of Books & Books and their incredible customers.

Word to your mother.

-Craig

From left to right, Craig Popelars, Books & Books owner Mitchell Kaplan, Exley author Brock Clarke and Dave Barry

Mitchell Kaplan, Brock Clarke, The Wine Trials authors Robin Goldstein and Alexis Herschkowitsch and Craig Popelars

Brock Clarke and a Books & Books customer discuss Clarke's first novel, An Arsonist's Guide to Writers' Homes in New England

Brock Clarke, right, discusses his new novel Exley

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Yesterday we featured an excerpt from Elisabeth Tova Bailey’s exquisite memoir The Sound of a Wild Snail Eating. Today we have an interview with the snail aficionado herself. The book is about her observations of a snail that takes up residence on her nightstand when she has an illness that keeps her bedridden. She discovers the solace and sense of wonder that this mysterious creature brings and comes to a greater understanding of her own confined place in the world.

Bailey's terrarium (photo by Deborah Smith)

Q. The Sound of a Wild Snail Eating is part memoir, part natural history and it details your relationship with a snail over the period of a year. What led you to write this book?

A. I wrote down some of my snail observations and a friend was so intrigued that she suggested I turn them into an essay. The essay seemed to really delight readers. After some years had passed, I wondered if there could be a book, but I wasn’t sure there was more to write. I began to read scientific gastropod literature, fell in love with it, and found there was quite a bit more to say. I wrote the book partly because I felt I owed the snail a biographical thank you and partly because I felt the story would be of help to other people going through a rough time.

Q. The setting for your book is the geographically and emotionally isolated space of your bedroom. How did you survive that situation?

A. The isolation and limits of illness can be very tough, sometimes even tougher than illness itself. I do not know how I, or anyone, survives such situations. The snail was very critical in getting me through a hard time. I think each of us, in surviving any difficult life challenge, have to find a way to stay connected to the world as that connection is what sustains us.

Q. At what point did watching the snail transition from the boredom of being bedridden to genuine interest?

A. When I first started to watch the snail, simply because it was there and moving around, I did not expect it to do anything of interest at all. It was when I became aware that the snail had habits, just like me, that I became intrigued. Like me, it woke up and went to bed. Like me it wanted something delicious for dinner. It turned out to have interesting small-sized adventures, as did I. That we were cohabitating and living our life patterns in parallel created a sense of kinship and sparked my curiosity.

Q. Your descriptions of the snail’s life are so detailed and interesting that the snail becomes an actual character in the book, a key presence in your life. Did you know when you started writing the book that the snail would become a main character?

A. I knew that I would write as much as possible about the snail as I never wanted to write about myself. However, when two friends read an early draft, I was surprised by their reactions as one wanted more description of the snail and the other wanted more information about me. It was only then that I realized that I had two main characters. This seemed like a problem and it worried me for awhile, but as the book developed, I started to realize that I was sort of “channeling” the snail. While I was the initial main character it is through my experience that the reader experiences the same connection to the snail that I did, and in this way the snail’s character becomes the larger and more central presence in the book.

Q. Most people wouldn’t think that a snail could be very interesting. Yet you became fascinated by the life of your tiny companion. What are some of the surprising things you learned about your snail?

A. Every creature on earth, when examined closely, leads a fascinating and full life. In some respects the lives of the smaller and short-lived creatures are even more intense, more crammed with plot, than our longer human lives. There are so many interesting snail traits that it’s hard to choose which to mention. I was in awe of my snail’s strength as well as its ability to exist in space at any angle, even upside down. My snail could go dormant whenever circumstances were not in its favor, which is an incredibly useful trait. Snails are also famous for spending many hours in courtship.

Q. How did your relationship with the snail help you survive a difficult year?

A. My snail was at my side 24/7 and just to have that kind of contact with another life was critical as I was so cut off from my usual life. While I couldn’t do the things I wanted to do, I could, by watching the snail, enter into its microcosmic world, and so in that way, I was still able to participate in life. It was also helpful to see an example of a small creature adapt and persevere outside of its usual environment, as living with chronic illness involves adapting to changed circumstances and persevering.

Q. Your book is about your isolation due to illness and how your situation parallels the hermit-like life of a snail, yet it highlights a remarkable interspecies relationship between a snail and a human. How did you write simultaneously about such opposites – isolation and connection?

A. Illness can limit one from participating in normal activities and even from socializing. So I wrote about that isolation and what it was like to observe my healthy visitors as they came and went. In contrast, the snail was constantly at my side, and so a very crucial interspecies bond developed. It was the diminished connection to my own world, due to illness, that allowed my increased connection to the snail’s world—a world that was more on a par with my reduced functioning level. I tend to think anyone in my situation would also have bonded with a snail.

Q. Why would a book about an interspecies relationship with a snail be of interest to the average reader?

A. Ultimately, I think the book speaks to the universal experience of being alive. All humans understand isolation on some level, even within a family, a marriage or partnership, or a friendship; one can sometimes still feel isolated. Likewise, everyone has had the flu and knows what it is like to be laid low, at least temporarily. While the benefits of an interspecies relationship with common pets is well known, people are always intrigued to read about a relationship with a creature they don’t know well.

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Everyone at Algonquin is excited about the charming little memoir we’re publishing this week, The Sound of a Wild Snail Eating–a true story about how life, even on the smallest scale, can be rewarding. There’s some major press coming in the near future, including a feature in the New York Times and an interview with Scott Simon on NPR’s “Weekend Edition Saturday.” Clearly, we’re not the only ones taken with the book. We were so taken that we adopted some snails of our own: Snooki and The Situation, and their little baby, J-Wow. Aren’t they adorable?

Today we present you with an excerpt from the book, and tomorrow we’ll have an in-depth Q&A with the author, Elisabeth Tova Bailey. And when the New York Times feature and NPR interview happen, we’ll feature those, too.


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Today’s bonanza: Amy Hempel’s COLLECTED STORIES; Wells Towers’s EVERYTHING RAVAGED, EVERYTHING BURNED; the 25th anniversary edition of NEW STORIES FROM THE SOUTH; and three Algonquin titles of your choosing. Just leave a comment on our Facebook page to enter; or, if you’re not on Facebook, here on our blog.

Today is our final post for this week’s series celebrating NEW STORIES FROM THE SOUTH. If you’re in the Raleigh, North Carolina area, or if you’re even somewhat nearby, please head over to Quail Ridge Books to hear series editor Kathy Pories and contributors Wells Tower and Aaron Gwyn read from/discuss the book on MONDAY, AUGUST 30th, at 7:30 pm. The event is free and sure to be absolutely fantastic. We will be there–will you???

Today’s interview is with founding series editor Shannon Ravenel, who shares with us, among other things, her favorite stories from the first twenty years of NEW STORIES FROM THE SOUTH. Have any favorite Southern stories of your own?

1. Where do you do your best editing? At home? At work? At a coffee shop?

Since I’m now more or less retired and working as “editor at large,” I do all my editing at home, which I like.

2. What does a Southern story mean to you?

I wrote some Forewords to the early volumes of New Stories from the South trying to define “Southern Stories.” For me, it boils down to the setting—if the story is set in the U.S. South, it’s “Southern.”

3. You were the series editor for New Stories from the South for twenty years. Were there any major surprises along the way? Any particular stories that stand out as your favorites?

I started the series in 1986 and edited it (without guest editors) until 2005—so my stint was 20 years. For the first five of those, I was also Series Editor of Best American Short Stories for Houghton.

Stand out stories:  Lewis Nordan’s “Sugar, the Eunuchs and Big G.B.” (1987), Larry Brown’s “Facing the Music” (1988), Robert Olen Butler’s “Relic” (1991), Heather Sellers’s “Fla. Boys” (1999), William Gay’s “The Paper Hanger” (2001)

4. What’s the last non-work-related book you read that stopped you in your tracks?

Olive Kitteridge, by Elizabeth Strout

5. What’s the last book you loaned out that you regret giving away?

In Richard’s World, by William Barnwell (HMCo. 1968)

6. On what basis did you choose stories to include in the anthology?

As for technical aspects, only two: That the story is set mainly in the American South, and that it was published first serially in the year preceding our annual volume. As for the rest of my criteria: Would it be too evasive to say simply that the stories I selected were the ones I wanted to read again, for my own enjoyment?

7. What does the South mean to you?

Home

8. What is your favorite place in the South?

Camden, South Carolina

9. More importantly, please describe your favorite meal in the South.

Hoppin’ John and Ham on New Year’s Day

10. In her introduction as guest editor to New Stories from the South: 2010, Amy Hempel writes, “Much of what I read from the contemporary South has a soundtrack.” As a North Carolinian resident, what is your current Southern soundtrack?

I’m one of those very rare Southerners who is, as Lee Smith once put it, musically impaired. I listen to whatever my husband listens to, which is mostly bluegrass. But I could live without it.

*Bonus question: You are stranded on a desert island with any celebrity, living only. Who would you choose?

Barack Obama

Interview by
Megan Fishmann,
Publicist

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