About the Book     |      About the Author     |      Excerpt, Essay & More     |      Webcast
Reading Group Guide     |      About the Interviewer     |      Coming Next

About The Book

You can buy In the Time of the Butterflies as an e-book at AMAZON, BARNES & NOBLE, KOBO, and APPLE.

It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leonidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas — “The Butterflies.”

In this extraordinary novel, the voices of all four sisters—Minerva, Patria, María Teresa, and the survivor, Dedé—speak across the decades to tell their own stories, from hair ribbons and secret crushes to gunrunning and prison torture, and to describe the everyday horrors of life under Trujillo’s rule. Through the art and magic of Julia Alvarez’s imagination, the martyred Butterflies live again in this novel of courage and love, and the human cost of political oppression.

“Wonderful … Skillfully weaves fact and fiction, building to a gut-wrenching climax.” —Newsweek

“A fascinating and powerful picture of a family and a nation’s history.” —The Dallas Morning News

“A gorgeous and sensitive novel . . . A compelling story of courage, patriotism and familial devotion.” —People

“Imagination and history in sublime combination . . . Read this book for the novel it is. Read this book for the place it takes you. Read this book and take courage.”—The Denver Post

“A magnificent treasure for all cultures and all time.” —St. Petersburg Times

“Haunting … full of passion and pathos.” —The Nation

“Shimmering … Valuable and necessary.” —The Los Angeles Times

“The real test of art, Leo Tolstoy said, is that it unite people … [Alvarez] succeeds splendidly.” —The Washington Post

About The Author

Julia Alvarez is the author of six novels, two books of nonfiction, three collections of poetry, and eight books for children and young adults. Her work has garnered wide recognition, including a Latina Leader Award in Literature in 2007 from the Congressional Hispanic Caucus Institute, the 2002 Hispanic Heritage Award in Literature, the 2000 Woman of the Year by Latina magazine, and inclusion in the New York Public Library’s 1996 program “The Hand of the Poet: Original Manuscripts by 100 Masters, From John Donne to Julia Alvarez.” A writer-in-residence at Middlebury College, Alvarez and her husband, Bill Eichner, established Alta Gracia, an organic coffee farm-literacy arts center, in her homeland, the Dominican Republic. In 2009, In the Time of the Butterflieswas selected by the National Endowment for the Arts for its national Big Read program.

Alvarez was born in New York City in 1950. When she was three months old, her family moved to the Dominican Republic, where she spent the first ten years of her life. Her family enjoyed a relatively affluent lifestyle there but was forced to return to the United States in 1960 after her father participated in a failed coup against the Dominican military dictatorship. This experience would later inspire her first novel, How the García Girls Lost Their Accents. After high school, Alvarez continued her education at Connecticut College, Middlebury College, and Syracuse University. Having earned a master’s degree, she took on a variety of jobs, including serving as the writer-in-residence for the Kentucky Arts Commission and teaching English and creative writing at California State University, the University of Vermont, George Washington University, and the University of Illinois. In 1996, she was promoted to full-time professor at Middlebury College but resigned the position in 1998 in order to devote her time to writing.

Alvarez’s novels have taken advantage of her background and experience. All, so far, have had a strong Dominican element. How the García Girls Lost Their Accents follows a close-knit family (much like her own) from the island to the United States. Its sequel, Yo!, examines one of the sisters from multiple perspectives; she turns out to be a Dominican east coast academic and novelist. In the Time of the Butterflies was written between the two García family novels and is built around life and politics in the Trujillo era.

Alvarez lives with her husband in the “Latino-compromised” state of Vermont and travels to the Dominican Republic frequently. She helped create and remains involved with Alta Gracia, a farm and literacy center dedicated to the environmentally sustainable growth of organic coffee and the promotion of literacy and education.

Webcast

Here’s the video from the live event/webcast of Edwidge Danticat in conversation with Julia Alvarez at Books & Books, March 21, 7:00pm.

Excerpt, Essay & More

Still the Time for Butterflies

November 25, 2010, marked the fiftieth anniversary of the murder of the Mirabal sisters.  Patria, Minerva, and María Teresa, known by their code name in the underground, las Mariposas, the Butterflies, were killed on November 25, 1960.

I’m also making it a point every time I mention them to add the name of the young man driving them on that fateful day, Rufino de la Cruz.  He, too, lost his life when Trujillo’s caliés, as the dictator’s thugs were known, stopped the girls’ Jeep on a lonely mountain road as they were returning from visiting their jailed husbands.  No one else had wanted to drive them, as rumors were flying that they would be killed.  But Rufino volunteered.

Just as their journey was ending, my family’s journey into freedom was beginning.  On August 6, 1960, four months before the murder of the Mirabal sisters, my family landed in New York City, having just barely escaped from the dictator’s secret police, the SIM.  My father had been part of an underground group, loosely connected to the Mirabals’ movement, and two members had been arrested.  It was just a matter of time before they broke down and disclosed names under the horrible tortures inflicted on them.

It was only after we arrived in this country that I heard about the Mirabal sisters.  My father brought home a Time magazine because he had heard from other exiles in New York City of a horrifying piece of news reported there.  (December 12, 1960: “Dominican Republic: Warning Beneath the Cliff.”)  My sisters and I were not allowed to look at the magazine.  My parents still lived as if Trujillo’s dreaded secret police might show up at our door any minute and haul us away.

By the end of 1961, the dictator had been toppled, but years of unrest, shifting governments, civil war ensued.  My parents decided to stay on in their new country.  As he felt safer and settled in this country, my father began to tell me stories about the dictatorship, about his underground group, and about the Mirabal sisters.  They became haunting figures in my imagination.  My three sisters and I had made it.  Three of those four sisters had not.  I knew I had a debt to pay.

Fifty years have gone by.  And what I’m struck by is the fact that these three young women, seemingly powerless, obviously vulnerable, have managed to accomplish so much!  Not only did they spark a national movement that eventually toppled a powerful dictator with his vast network of secret police and absolute control of all avenues of communication.  But beyond the borders of one small nation, they went on to inspire an international movement.  In 1999, the United Nations declared the day of their murder International Day for the Elimination of Violence Against Women, a day that marks the beginning of a 16-day worldwide observance of human rights, ending with December 10th, International Human Rights Day.  Three young women from one small island have become international symbols of freedom for women, and men, everywhere.

In her powerful book Hope in the Dark: Untold Stories, Wild Possibilities Rebecca Solnit talks about the surprising and often indirect ways in which change can happen.  She calls it the indirectness of direct action.  We do one little thing, expecting this result, and expecting it right away, but what happens is beyond what we imagine, and not on our watch necessarily.  One of the examples Solnit cites is a story told by a member of the Women’s Strike for Peace, a very small, hardy, and committed group of mothers in the early 1960s who were among the first activists against the Vietnam War.  This woman said she often felt foolish, picketing in front of the White House, sometimes just a dozen or so members in the rain.  She secretly wondered if they were wasting their time.  No news program covered their protest marches; no spokesperson came out of the White House to speak with them.  But then, years later, she heard Dr. Benjamin Spock, who had become one of the most high-profile activists against the war, say that the turning point for him was spotting a small group of women standing in the rain, protesting at the White House.  If they were so passionately committed, he thought, he should give the issue more consideration himself.

One of my favorite passages that I like to read when I’m feeling demoralized about the slow progress of social change comes from Seamus Heaney’s poem, “The Cure at Troy”:

History says, don’t hope
On this side of the grave.
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up,
And hope and history rhyme.

That longed for tidal wave of justice can rise up, and hope and history rhyme.  I’m living and writing and working towards that hope these days.  Asking for what Rebecca Solnit calls, “an imagination adequate to the possibilities and the strangeness and the dangers on this earth in this moment.”  Toni Morrison puts it this way: “The function of freedom is to free someone else.”

Often when we read about brave women like the Mirabal sisters, we think that in order to advance the cause of freedom we have to do grand things.  But in fact, if we look at the lives of these four sisters, we realize that all of them came to their courage in small incremental steps, little moments and challenges we all face every day of our lives.  In some ways, we become brave, almost by accident.  Something happens and we respond to that challenge courageously and compassionately.  But really, all along the way to that something big happening, we’ve been cultivating a compassionate heart, a listening and big-hearted imagination.  And one of the ways to cultivate such an elastic and inclusive imagination is by reading books.

Think about it.  When you read, you become someone else.  Terrence, the Roman slave and playwright, who freed himself with his writings, once wrote, “I am a human being. Nothing human is alien to me.”  That could be the motto of literature.  Nothing human is alien to the pen of a novelist.  And when we read, nothing human is alien to us either.  We actually inhabit and become someone else.  Nothing human is alien to us.  Not a Danish prince trying to make a decision about what moral code to follow, or a young black girl named Maya Angelou growing up in the rural south in the 1930s, or a grief-stricken King Gilgamesh searching for his lost friend, Enkidu, in the underworld in 2700 B.C., or a beautiful young freedom fighter named Minerva Mirabal forming an underground movement in the 1950s in the dictatorship of Trujillo in the Dominican Republic.

In fact, I would go as far as to say that by reading books, entering other realities, and then taking those adventures back into our own lives, we are freedom fighters.  One of the first things that happens in a dictatorship is that books are confiscated, people are not permitted to congregate and share ideas and stories.  There is one official story, one reason to gather together and that is for indoctrination.  I know because I lived that reality in a dictatorship.  You know it because you have lived that reality in the novel I have written or in other novels you have read about similar situations.  A reading, thinking, empathetic people are a lot less likely to be controlled or hoodwinked.

“The function of freedom is to free someone else.”  And I can’t think of a better way to pass on that freedom than to make that someone else a reader and put a good book in his or her hands.

Julia Alvarez – November 25, 2010

Copyright © 2010 by Julia Alvarez.

By permission of the author and Susan Bergholz Literary Services, New York City and Lamy, NM.  All rights reserved.

This essay cannot be reproduced online or in print without written permission from Julia Alvarez and Susan Bergholz Literary Services, New York City and Lamy, NM.

Reading Group Guide

Summary

In the Time of the Butterflies is based on the real lives of the Mirabal sisters, three of whom were slain by agents of the Dominican Republic dictator Trujillo. Their story is told in brief sections, each narrated by one of the sisters. Despite their very strong family ties, the sisters are very different individuals. Patria is the eldest, whose interests are absorbed, initially, by religion and children. Dedé, next in age, is reliable, capable, and eager to please. Minerva, the third, is the family firebrand-the theorist and the speaker. Maria Teresa (Mate) is the baby who completes the family; she is nine years younger than her closest sister.

The girls live with their mother and father in the country town of Ojo de Agua, where the family has land and a little store. Exposed to the corruption and injustice of the Trujillo regime, eventually all the sisters—starting with Minerva—involve themselves in revolutionary activities. Their husbands are arrested and imprisoned, but that does not keep the sisters quiet. They are murdered during a return trip from their husbands’ prison. They are venerated in death and become legendary figures.

Questions for Discussion

1. Julia Alvarez has said that one of the things that interested her while she was writing the novel was the question, What politicizes a person? What makes a revolutionary risk everything for a certain cause? Alvarez has also said that one of the things she learned writing this novel was that what politicizes each person is different, and surprisingly, it’s not always a big idealistic cause or idea. What do you think politicizes each of the Mirabal sisters, including, ultimately, Dedé? What would politicize you?

2. The Mirabal sisters are very different individuals. Which of them would you most like to have been friends with? Which one do you most admire? Which one is most like you?

3. What about the men in the book? Some male readers have confessed to feeling that the book is focused too much on female characters. How do different key male figures come across in the book? Do you think Alvarez intentionally weighted the book toward the female point of view, and if so, why?

4. Does the father make you feel sympathetic or judgmental? Do your feelings change as the book progresses?

5. Minerva reacts with shock and anger after learning about her father’s second family but later chooses to take care of her half sisters. Why does Minerva want to help them? Would you have reacted in the same way?

6. In your opinion, is Jaimito a good man or not? Why?

7. Much is made of Dedé’s survival. Why do you think she survived? What is the role she plays in the Mariposas’ history? Do you consider her to be equally heroic despite the fact that she did not join the revolution?

8. The book is built around life and politics in the Dominican Republic during the reign of Rafael Trujillo. Is this a time period you knew about before reading this book? Did you gain a greater understanding of this particular time in Hispanic Caribbean history?

9. What does it mean to write historical fiction? Did it bother you that the sisters Alvarez created might not be exact duplicates of the historical Mirabals? Dedé has said when asked about specific details that some of them Alvarez invented or learned from someone else. But she loved the novel because Alvarez “captured the spirit of the Mirabal sisters.” Does the book encourage you to want to know more about them?

10. The Dominican people, both in the book and in real life, view the Mirabal sisters as heroines and martyrs. Why do you think their legend endures? What makes the story of these particular revolutionaries so captivating?

11. The United Nations has declared November 25, the day of the Mirabals’ murder, International Day Against Violence Against Women, the first day of the international movement “16 Days of Activism Against Gender Violence,” which ends on Human Rights Day, December 10 (www.cwgl.rutgers.edu/16days/home.html). Should writers be writing to change the world? What is the role of an author’s politics in a novel? Does politics have any place in fiction?

Other Resources

Julia Alvarez suggests that readers might be interested to know that a virtual tour of the Museo Hermanas Mirabal in the Dominican Republic is available at www.el-bohio.com/mirabal/mirabalC.

Julia Alvarez’s suggestions for further reading:

Vivas en su Jardín, by Dedé Mirabal (Vintage Espanol USA, with an Introduction by Julia Alvarez)

The Brief Wondrous Life of Oscar Wao, by Juno Díaz

The Feast of the Goat, by Mario Vargas Llosa

The Farming of Bones, by Edwidge Danticat

Reading and Discussion Guide provided by EBSCO Publishing’s readers’ resource NoveList—all rights reserved. NoveList is available at most public libraries.

About The Interviewer

Edwidge Danticat was born in Haiti and moved to the United States when she was twelve. She earned a degree in French Literature from Barnard College, where she won the 1995 Woman of Achievement Award, and later an MFA from Brown University. In 2009 she was awarded a MacArthur Fellowship. She is the author of several books, including Breath, Eyes, Memory, an Oprah Book Club selection; Krik? Krak!, a National Book Award finalist; The Farming of Bones, an American Book Award winner; The Dew Breaker; Brother, I’m Dying, winner of the National Book Critics Circle Award for Autobiography; Eight Days: A Story of Haiti, a children’s book; and Create Dangerously: The Immigrant Artist at Work. She is also the editor of The Butterfly’s Way: Voices from the Haitian Dyaspora in the United StatesThe Beacon Best of 2000: Great Writing by Men and Women of All Colors and Cultures; and Haiti Noir. Danticat lives in Miami with her husband and daughter.

Coming Next

We’re thrilled that Sara Gruen, author of the beloved international bestseller Water for Elephants (over 4 million copies in print!), will be interviewed by Kathryn Stockett, author of the equally beloved international bestseller The Help. Tune in to the live webcast on April 26, where you’ll be able to chat with other book club participants viewing from around the world. The Water for Elephants film opens nationwide on April 22: Read (or re-read) the book before seeing the movie!

Praise for Water for Elephants

“For pure story, this colorful, headlong tale of a Depression-era circus simply can’t be beat. Heroes, villains, romance, a wild-animal stampede! Big fun from page 1.” —Stephen King, Entertainment Weekly, “Top 10 Books”

“A beautiful book.”—John Searles, CBS’s The Early Show

“An enchanting escapist fairy tale.”—The New York Times Book Review

“You won’t want to put [it] down.”—Time

“Vibrant . . . Gritty, sensual, and charged with dark secrets involving love, murder, and a majestic, mute heroine (Rosie the Elephant).”—Parade

“Novelist Gruen unearths a lost world with her rich and surprising portrayal of life in a traveling circus in the ‘30s. An emotional tale that will please history buffs—and others.”—People

“[This] sprightly tale has a ringmaster’s crowd-pleasing pace.”—Entertainment Weekly

“A compulsive page-turner . . . A fascinating setting and a richly anecdotal story that’s enjoyable right up to the final, inevitable revelation.”—The Onion

“A rich surprise, a delightful gem springing from a fascinating footnote to history that absolutely deserved to be mined.”—Denver Post

“I couldn’t bear to be torn away from it for a single minute.”—Chicago Tribune

“You’ll get lost in the tatty glamour of Gruen’s meticulously researched world, from spangled equestrian pageantry and the sleazy side show to an ill-fated night at a Chicago speak-easy.”—Washington Post

          Caroline Leavitt & Anne Lamott

          Lauren Grodstein & Stephen King

          Robert Goolrick & Garth Stein

          Heidi Durrow & Terry McMillan

          Julia Alvarez & Edwidge Danticat